Programme

#dhcshef

Thursday (8th September 2022)
09:30 - 11:30
Registration
11:30 - 13:00
Introductions and Plenary 1
Chair: Michael Pidd

A Riddle about the Middle: Meaning at Different Scales

  • Marc Alexander

University of Glasgow

13:00 - 14:00
Lunch
Bar
14:00 - 15:30
Session 1
Chair: Kate Simpson
Session 2
Chair: Isabella Magni
Session 3 — No session

Cultural Challenges of DH Reflecting on DH Waves

  • Alessio Antonini,
  • Francesca Benatti

Open University

Implementing Linked Ancient World Data: recommendations from research with users and producers

  • Sarah Middle

National Museum of Scotland

Digital Humanities Curriculum Development: an iSchools Approach

  • Bingjun Liu,
  • Simon Mahony,
  • Yaming Fu

Beijing Normal University at Zhuhai

Mimesis and the importance of female characters A comparative social network analysis of Dutch literary fiction, 1960s vs 2010s

  • Roel Smeets

Radboud University Nijmegen

Inviting the Humanities to The Data Science Table: Reflections from the Alan Turing Institute

  • Barbara McGillivray,
  • Sarah Ames,
  • Beatrice Alex,
  • Guyda Armstrong,
  • David Beavan,
  • Arianna Ciula,
  • Giovanni Colavizza,
  • James Cummings,
  • David De Roure,
  • Adam Farquhar,
  • Simon Hengchen,
  • Lorna Hughes,
  • Anouk Lang,
  • James Loxley,
  • Eirini Goudarouli,
  • Federico Nanni,
  • Andrea Nini,
  • Julianne Nyhan,
  • Nicola Osborne,
  • Thierry Poibeau,
  • Mia Ridge,
  • Sonia Ranade,
  • James Smithies,
  • Melissa Terras,
  • Andreas Vlachidis,
  • Pip Willcox

The Alan Turing Institute

A Quantitative Analysis of Digital Scholarly Editions

  • Michael Kurzmeier,
  • James O’Sullivan,
  • Órla Murphy,
  • Michael Pidd,
  • Bridgette Wessels

University College Cork

Big Language Data Comes with Big Opportunities and Big Challenges: A Learner-Corpus Case Study

  • Itamar Shatz

University of Cambridge

15:30 - 16:00
Tea Break
Bar
16:00 - 17:30
Session 4
Chair: Isabella Magni
Session 5
Chair: Kate Simpson
Session 6 — No Session

Digital Humanities and the Library: Research Partners?

  • Bingjun Liu,
  • Yaming Fu,
  • Simon Mahony

Beijing Normal University at Zhuhai

How Deep Map Can Enhance Studies on the European Travelers During The Grand Tour

  • Maria Cristina Manzetti

University of Cyprus

Investigating the discourse on Open GLAM

  • Marco Humbel

University College London

Using GIS to Illustrate and Understand the Influence of St Æthelthryth of Ely

  • Ian Styler

University of Birmingham

Accessions to Repositories Data: Potentials for Mapping National Collection Practices c.2007 – 2020.

  • Kevin Matthew Jones

The National Archives, Kew

History of Holocaust Told Anew - Through The Prism of Topography: Digital “ATLAS of the HOLOCAUST LITERATURE”

  • Kajetan Mojsak

Institute of Literary Research of the Polish Academy of Sciences

17:40 - 18:30
A presentation by Sarah Coward, CEO of In The Room
Chair: Michael Pidd

Interactive voice encounters for the arts and cultural heritage

  • Sarah Coward

In The Room

18:30
Drinks Reception - Sponsored by In The Room
Bar
Friday (9th September 2022)
09:30 - 11:00
Session 7
Chair: Michael Pidd
Session 8
Chair: Seth Mehl
Session 9 — No Session

Locating a National Collection through Audience Research

  • Gethin Rees

The British Library

The Spatial Poetics of Artefacts

  • Kate Simpson

University of Sheffield

It Is Happening Again: Do we keep building the same Digital Humanities web interfaces?

  • Jamie McLaughlin

University of Sheffield

Addressing Inherent Biases in Information Retrieval Systems of Digital Archives: A Multidisciplinary Study in Digital Archives of Holocaust Victims and Perpetrators

  • Seul Lee

UCLA School of Education & Information Studies

From Lockdown to Jupyter: Creating Exploratory Notebooks for Cultural Heritage Datasets

  • Sarah Ames,
  • Lucy Havens

National Library of Scotland

SCWAReD: Scholar-Curated Worksets from the HathiTrust Research Center

  • Ryan Dubnicek,
  • Jade Harrison,
  • Isabella Magni,
  • John A. Walsh,
  • Maryemma Graham,
  • J. Stephen Downie,
  • Glen Layne-Worthey

University of Illinois Urbana-Champaign

11:00 - 11:30
Tea Break
Bar
11:30 - 13:00
Session 10
Chair: Kate Simpson
Session 11
Chair: Isabella Magni
Session 12
Chair: Seth Mehl

Digital Initiatives in Online Service Delivery: Case Study of London Art Museums During the COVID-19 Pandemic Lockdown

  • Bingjun Liu,
  • Oliver Duke-Williams,
  • Adam Crymble,
  • Simon Mahony

University College London

Nineteenth-Century Poets and Their Libraries

  • John A. Walsh,
  • Alexandra Wingate,
  • Caroline Nurkkala,
  • Jennifer Christie

Indiana University

CitizenHertiage: Crowdsourcing, Digital Curation and Citizen Science with European Photographic Collections

  • Fred Truyen,
  • Sofie Taes

KU Leuven

Exploring Early British Photography and the Impact of the 1862 Fine Arts Copyright Act through the Application of Digital Methods of Analysis to Archival Catalogue Data

  • Katherine Howells

The National Archives, UK

Using Wikibase To Model A Data-Driven Approach Ro Ricardo Viñes’ Public Concerts And Repertoire

  • Esther Solé,
  • Màrius Bernadó

University of Lleida

Computer Vision and the History of Printing: Search, Segment and Classify

  • Giles Bergel

University of Oxford

The Library Catalogue as Dataset: Exploring Data Science Approaches to Analyse Collections at Scale

  • Lucy Havens,
  • Paul Gooding,
  • Kirsty Lingstadt,
  • Alex Forrest,
  • Alasdair MacDonald,
  • Melissa Terras

University of Edinburgh

Don’t Believe the Hype: Scientific Instruments and Inflated Expectations, 1550-1914

  • Sarah Middle,
  • Alex Butterworth,
  • Duncan Hay,
  • Rebekah Higgitt

National Museum of Scotland

Applying Machine Learning and Image Recognition to the Visual Culture of the Protestant Reformation

  • Drew Thomas

University College Dublin

13:00 - 14:00
Lunch
Bar
14:00 - 15:30
Session 13
Chair: Kate Simpson
Session 14
Chair: Jamie McLaughlin
Session 15 — No Session

The Emma B. Andrews Diary Project: A Case Study in Student Collaboration, Tool Development and Data Visualisation

  • Sarah Ketchley

University of Washington

Unlocking Historical Digital Text Collections through Advanced AI methods

  • Rosa Filgueira

University of St Andrews

Collecting and connecting portrait-sittings: a re-evaluation of experiential feedback in enhancing knowledge and understanding of British portraiture 1900-1960

  • Dawn Kanter

Open University

Understanding Uncertainty in Crowdsourced Digital History Projects : The Operation War Diary

  • Andrea Kocsis

The National Archives, UK

Our Heritage, Our Stories: Methods and Models for Working with Community Generated Digital Content

  • Lorna Hughes,
  • Diane Scott,
  • Ewan Hannaford

University of Glasgow

15:30 - 16:00
Tea Break
Bar
16:00 - 17:30
Plenary 2
Chair: Michael Pidd

Close/Distant: Scales of Analysis in Digital Projects

  • Ruth Ahnert

Queen Mary University of London

19:00
Conference Dinner

Sponsored by Gale

Sponsored by Gale

Saturday (10th September 2022)
10:00 - 11:30
Session 16
Chair: Jamie McLaughlin
Session 17
Chair: Isabella Magni
Session 18
Chair: Michael Pidd

Before, During and After: A Bilingual Temporal Sentiment Analysis of the Media Coverage of Rio and London Olympic Legacies

  • Caio Mello,
  • Gullal Singh Cheema

School of Advanced Study, University of London

How To Tell Scholarly Stories in Digital Environment Using Real Spaces? The Case of Postmodern Sienkiewicz Digital Collection and The Oblęgorek Palace

  • Bartłomiej Szleszyński

Institute of Literary Research of the Polish Academy of Sciences

Mapping Spectrality: Temporal and Spatial Interruptions in the Irish Urban Gothic

  • Katie Mishler

University College Dublin

Between Hermeneutics and Deceit: Keeping Natural Language Generation in Line

  • Albert Meroño-Peñuela,
  • Leah Henrickson

King’s College London

Collaborative Project Development with Undergraduates: Text Encoding a Rare Stationery Binder’s Trade Works

  • Lisa Hermsen,
  • Rebekah Walker

Rochester Institute of Technology, Rochester

Quantitative Methods in Art History: What Can Titles Tell Us About the History of Modern and Contemporary Art?

  • Mike Bowman

Birkbeck, University of London

Sir Han Slone’s Information Architecture: From TEI to CSV for Data Analysis

  • Deborah Leem,
  • Julianne Nyhan,
  • Antonis Bikakis

University College London

Mapping the Growth and Reduction of the British Office of Ordnance in the Long Eighteenth Century

  • Gareth Cole

Loughborough University

11:30 - 12:00
Tea Break
Bar
12:00 - 13:30
Plenary 3
Chair: Michael Pidd

Data Loss: Theorizing Digital Disappearance and Remains

  • Nanna Bonde Thylstrup

Copenhagen Business School

13:30 - 14:30
Lunch
Bar
14:30 - 15:00
Conference closes