Gallery
| Video | Location | Description | |
|---|---|---|---|
|
The Novella |
|||
| NV_1_1 | Act 1 | An actor (Hannah Watkins) essays the Prologue | Watch video |
| NV_1_2 | Act 1 | A second actor (Alan Morrissey) essays the Prologue | Watch video |
| NV_2_1 | Act 2 | Victoria explores the stage space and her relations with Borgio and Jacconetta | Watch video |
| NV_2_2 | Act 2 | Victoria expects praise from Borgio but is confronted by his morose nature | Watch video |
| NV_2_3 | Act 2 | Sam Alexander as Borgio makes a first attempt at this defining speech, 237. | Watch video |
| NV_2_4 | Act 2 | A full attempt at playing 2.2. | Watch video |
| NV_2_5 | Act 2 | Olivia Darnley suggests a new way of playing the opening of the scene | Watch video |
| NV_2_6 | Act 2 | The full scene played with Olivia Darnley's suggestion as the impulse | Watch video |
| NV_2_7 | Act 2 | Brian Woolland sees significant potential an impulsive action made by Sam Alexander in the previous full run of the sequence. | Watch video |
| NV_2_8 | Act 2 | The implications of Brian Woolland's idea are carried into a performance of the final moments of the scene | Watch video |
| NV_3_1 | Act 3 | The opening of the sequence in which Horatio visits Victoria | Watch video |
| NV_3_2 | Act 3 | Victoria suffers Horatio's gaze and returns it | Watch video |
| NV_3_3 | Act 3 | A more overtly comic approach to Horatio's encounter with Victoria | Watch video |
| NV_4_1 | Act 4 | Francisco disguised as a Pedlar-Woman offers gifts to Flavia | Watch video |
| NV_4_2 | Act 4 | Flavia is mesmerised by the Pedlar's gifts. | Watch video |
| NV_4_3 | Act 4 | Playing with tonal shifts and vocal registers | Watch video |
| NV_4_4 | Act 4 | A wholly comic approach to the scene | Watch video |
| NV_4_5 | Act 4 | A tonally balanced rendering of the scene | Watch video |
| NV_5_1 | Act 5 | Borgio reveals his true identity | Watch video |
| NV_5_2 | Act 5 | Working the stage space for effects of power in staging Borgio's revelation | Watch video |
| NV_5_3 | Act 5 | The conclusion of the play | Watch video |
| NV_5_4 | Act 5 | Alan Morrissey playing Jacconetta/Jacomo comments on the line "Has thy mistress usedthee well?" | Watch video |
| NV_5_5 | Act 5 | Situating that idea in the context of the closing moments of the action | Watch video |
| NV_5_6 | Act 5 | Hannah Watkins essays the Epilogue | Watch video |
| NV_5_7 | Act 5 | Alan Morrissey essays the Epilogue | Watch video |