Gallery
| Video | Location | Description | |
|---|---|---|---|
|
Covent Garden Weeded |
|||
| CG_1_1 | Act 1 | Cockbrain responds tensely to Rooksbill's silence | Watch video |
| CG_1_2 | Act 1 | Rooksbill, unmoving, forces Cockbrain to keep returning to him | Watch video |
| CG_1_3 | Act 1 | Cockbrain's anxiety on arrival, worried by Rooksbill's lack of enthusiasm | Watch video |
| CG_1_4 | Act 1 | Rooksbill dominates the scene by remaining stationary and silent while Cockbrain seeks to cajole him into enthusiasm. | Watch video |
| CG_1_5 | Act 1 | Rooksbill pays no attention to Cockbrian | Watch video |
| CG_1_6 | Act 1 | Rooksbill looks around the stage to create sense of Covent Garden development. | Watch video |
| CG_1_7 | Act 1 | Discussion of balconies and sexuality | Watch video |
| CG_1_8 | Act 1 | Dorcas's soliloquy, performed by Adam Kay | Watch video |
| CG_1_9 | Act 1 | Dorcas's soliloquy, performed by Robert Lister | Watch video |
| CG_1_10 | Act 1 | Dorcas's soliloquy, performed by Alan Morrissey | Watch video |
| CG_1_11 | Act 1 | Alan Morrissey on the verse of Dorcas's speech | Watch video |
| CG_1_12 | Act 1 | General discussion of Dorcas's soliloquy | Watch video |
| CG_1_14 | Act 1 | Nick moves towards Dorcas; she moves away. | Watch video |
| CG_1_15 | Act 1 | Dorcas's asides to the audience | Watch video |
| CG_1_16 | Act 1 | Madge playful and complicit with the young men | Watch video |
| CG_1_17 | Act 1 | Madge asks Dorcas for instructions | Watch video |
| CG_1_18 | Act 1 | Madge asks the young men for instructions | Watch video |
| CG_1_19 | Act 1 | Dorcas addresses her exclamation to the audience | Watch video |
| CG_1_20 | Act 1 | Madge playfully rebukes the young men, being complicit with them | Watch video |
| CG_1_22 | Act 1 | Madge dominates the scene by standing at the table | Watch video |
| CG_1_23 | Act 1 | Nick dominates by ordering others to sit | Watch video |
| CG_1_24 | Act 1 | Dorcas asks Nick's 'nick-name' with heavy irony | Watch video |
| CG_1_25 | Act 1 | Nick approaches Dorcas, touches and moves her | Watch video |
| CG_1_26 | Act 1 | Nick becomes distracted and vehement about his father, ignoring Dorcas | Watch video |
| CG_1_27 | Act 1 | Discussion among actors and editors concerning Nick's isolation fixation on his father | Watch video |
| CG_1_40 | Act 1 | Discussion concerning drunkenness and disorder, and Madge's stance vis a vis the young men | Watch video |
| CG_1_41 | Act 1 | Discussion of Madge's complicity with the young men | Watch video |
| CG_3_1 | Act 3 | Belt moves in to listen to Katherine and Lucy | Watch video |
| CG_3_2 | Act 3 | Discussion of exposition and making sense of action for the audience | Watch video |
| CG_3_3 | Act 3 | Katherine and Lucy stress the parternal relationships that constrict their choices and roles | Watch video |
| CG_3_4 | Act 3 | Stand-up comedy quality to the interchange between the young women | Watch video |
| CG_3_5 | Act 3 | Katherine exaggeratedly insinuates a sexual intent | Watch video |
| CG_3_6 | Act 3 | Lucy redirects conversation, taking a measure of control | Watch video |
| CG_3_7 | Act 3 | Discussion of direct address to the audience | Watch video |
| CG_3_8 | Act 3 | Discussion and varied eye-contact between Katherine and Lucy | Watch video |
| CG_3_9 | Act 3 | Katherine begins addressing the audience directly | Watch video |
| CG_3_10 | Act 3 | Katherine and Lucy in undisguised address to the audience | Watch video |
| CG_3_11 | Act 3 | Lucy as slower on the uptake than the audience | Watch video |
| CG_3_12 | Act 3 | Lucy responds with disguised amusement and excitement to the story of Dorcas's seduction | Watch video |
| CG_3_13 | Act 3 | Katherine is suggestive with her words | Watch video |
| CG_3_14 | Act 3 | Katherine and Lucy move diagonally forward across the stage | Watch video |
| CG_4_1 | Act 4 | Nick leaps on to the table | Watch video |
| CG_4_2 | Act 4 | Gender distortion in the women's fight | Watch video |
| CG_4_3 | Act 4 | Cockbrain addresses the audience directly | Watch video |
| CG_4_4 | Act 4 | Nick's lines explicitly direct the attack on the Citizen's genitalia | Watch video |
| CG_4_5 | Act 4 | Cockbrain's disguise comes off, Clotpoll comments to the audience | Watch video |
| CG_4_6 | Act 4 | Cockbrain forced into position to be attacked | Watch video |
| CG_4_7 | Act 4 | Another version of Cockbrain's disguise coming off, and asides to the audience | Watch video |
| CG_4_8 | Act 4 | COckbrain 'threatens his breeches' and the attackers depart | Watch video |
| CG_4_9 | Act 4 | The Citizen says he is very sore | Watch video |
| CG_4_10 | Act 4 | The attack on the Citizen as slap-stick | Watch video |
| CG_4_11 | Act 4 | The attack on the Citizen as more troubling violence | Watch video |
| CG_5_1 | Act 5 | Discussion of Crosswill's isolation | Watch video |
| CG_5_2 | Act 5 | Version 1 of Crosswill's speech | Watch video |
| CG_5_3 | Act 5 | Belt enters during Crosswill's soliloquy | Watch video |
| CG_5_4 | Act 5 | Belt enters earlier during Crosswill's soliloquy | Watch video |
| CG_5_5 | Act 5 | Discussion of Belt's earlier entrance and sympathy for Crosswill | Watch video |
| CG_5_6 | Act 5 | Discussion of why Crosswill changes mood during his speech | Watch video |
| CG_5_7 | Act 5 | Crosswill's soliloquy version 2 | Watch video |
| CG_5_8 | Act 5 | Crosswill's soliloquy version 3 | Watch video |
| CG_5_9 | Act 5 | Crosswill's soliloquy version 4 | Watch video |
| CG_5_10 | Act 5 | Crosswill's soliloquy version 5 | Watch video |
| CG_5_11 | Act 5 | Discussion of Crosswill's use of 'beat' and the entrance of Belt | Watch video |
| CG_5_12 | Act 5 | Discussion of Crosswill and imagination | Watch video |
| CG_5_13 | Act 5 | Crosswill's whole speech | Watch video |
| CG_5_14 | Act 5 | Obscene joke in Crosswill's speech | Watch video |
| CG_5_15 | Act 5 | Crosswill's excessive appreciation of his future daughter-in-law Lucy | Watch video |
| CG_5_17 | Act 5 | Whole sequence pairing off Lucy and Mihil | Watch video |