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Bibliography (Editors or authors beginning with C)
Of English Dogs: The Diversities, the Names, the Natures, and the Properties (London, 1576)
'Elizabethan Chiromancy', Modern Language Notes, 62 (1947), 1-7
Britain: or a chorographicall description of the most flourishing kingdomes, England, Scotland, and Ireland...Translated newly into English by Philemon Holland (London: George Bishop and John Norton, 1610)
A Relation of the Late Royal Entertainment … To our Most Gracious Queen, Queen Anne … Whereunto is Annexed the Description, Speeches, and Songs of the Lords' Masque, Presented in the Banqueting-House on the Marriage Night of the High and Mighty, Count Palatine, and the Royally Descended the Lady Elizabeth (London, 1613)
When Gossips Meet: Women, Family, and Neighbourhood in Early Modern England (Oxford: Oxford University Press, 2003)
Poems by Thomas Carew Esquire (London, 1640)
Courtly Dance of the Renaissance: A New Translation and Edition of the Nobilità Di Dame (1600), ed. by Julia Sutton and F. Marian Walker (Oxford: Oxford University Press, 1986)
Il Ballarino (Venice: Ziletti, 1581)
Residence and social status: the development of the 17th century London (1991)
'Ben Jonson's Every Man In His Humour: a case study' in The Cambridge History of British Theatre: Volume 1: Origins to 1660, ed. by Jane Milling and Peter Thomson 3 vols, 1st edn (Cambridge: Cambridge University Press, 2004), 282-297
Ben Jonson: performance, practice and theory (London: Routledge, 1999)
'Script and Performance' in Ben Jonson: Performance, Practice and Theory, ed. by Richard Cave, Elizabeth Schafer and Brian Woolland (London: Routledge, 1999), 23-32
'The Playwriting Sons of Ben: Nathan Field and Richard Brome' in Jonsonians: Living Traditions, ed. by Brian Woolland (Aldershot: Ashgate, 2003), 69-91
'Endings in Renaissance Comedy: Ben Jonson and Richard Brome' in Practising Equity, Addressing Law: Equity in Law and Literature, ed. by Daniela Carpi (Heidelberg: Winter, 2008), 263-283
The Country Captain and the Variety, Two Comedies Written by a Person of Honour (London, 1649)
The First English Dictionary: 1604. Robert Cawdrey's A Table Alphabeticall (Oxford: The Bodleian Library, 2007)
Ben Jonson's London (Athens: University of Georgia Press, 1978)
Chalmers, Hero, Julie Sanders and Sophie Tomlinson, eds, Three seventeenth-century plays on women and performance (Manchester: Manchester University Press, 2006)
Bussy D'Ambois, ed. by Nicholas Brooke (London: Methuen, 1964)
Eastward Hoe! (London, 1605)
All Fools, ed. by Frank Manley (Lincoln: University of Nebraska Press, 1968)
The Gentleman Usher, ed. by John Hazel Smith (London: Edward Arnold, 1970)
Ovid’s Banquet of Sense (London, 1595)
'Richard Brome’s “Jovial Crew” (1810)' in The Works of Charles and Mary Lamb, ed. by E.V. Lucas 7 vols (London: Methuen, 1903), 186-187
Kings Majesties declaration to his subjects, concerning lawfull sports to bee used (London, 1633)
Eikon Basilike: The Portraiture of His Sacred Majesty in his Solitudes and Sufferings (London, 1649)
The Letters, Speeches and Proclamations of King Charles I, ed. by Charles Petrie (London: Cassell, 1935)
'Four Caroline Part-books', Music and Letters, 59 (1978), 49-51
The Riverside Chaucer, ed. by Larry D. Benson 3rd edn (Oxford: Oxford University Press, 1987)
Child, F J, ed., The English and Scottish Popular Ballads 5 vols (Houghton, Mifflin & Co, 1882)
Child, F.J. , ed., English and Scottish Ballads 8 vols (Boston: Little, Brown & Co., 1857)
Clark, Peter, ed., The Cambridge Urban History of Britain v. 2 (Cambridge: Cambridge University Press)
Professional Playwrights: Massinger, Ford, Shirley and Brome (Lexington: Kentucky University Press, 1992)
The English Alehouse: A Social History, 1200-1800 (London, 1983)
'The widow hunt on the Tudor-Stuart stage', SEL, 1500-1900, 41 (2001), 399-411
The English Alehouse: A Social History, 1200-1830 (Longman, 1982)
British Clubs and Societies, 1580-1800: The Origins of an Associational World (Oxford: Clarendon Press, 2000)
The Working Life of Women in the Seventeenth Century 3rd edn (London: Routledge, 1992)
The Life and Times of Anthony a Wood, antiquary of Oxford, 1632-1695, described by himself. Collected from his diaries and other papers by Andrew Clark. (Oxford : Oxford Historical Society, 1891)
Paroemiologia Anglo-Latina in Usum Scholarum Concinnata: Or Proverbs English and Latin (London, 1639)
Press Censorship in Caroline England (Cambridge: Cambridge University Press, 2008)
'Prerevolutionary Drama' in The Politics of Tragicomedy: Shakespeare and After, ed. by Gordon McMullan and Jonathan Hope (London: Routledge, 1992), 122-150
Pharmacopoeia Londinensis (London: Edward Griffin, 1618)
'Richard Brome’s Contract and the Relationship of Dramatist to Company in the Early Modern Period ', Early Theatre, 10 (2007), 116-128
'Puritains, Antinomians and Laudians in Caroline London: the strange case of Peter Shaw and its contexts', Journal of Ecclesiastical History, 50, 684-715
Love for Love a comedy (London: Jacob Tonson, 1695)
Greene’s Tu Quoque (London, 1614)
The Theater and the Dream: From Metaphor to Form in Renaissance Drama (Baltimore: Johns Hopkins University Press, 1973)
Corbin, Peter and Douglas Sedge, eds, Three Jacobean Witchcraft Plays (Manchester: Manchester University Press, 1986)
Coryat's Crudities, ed. by James Maclehouse (Glasgow: University of Glasgow Press, 1905)
Coryat's Crudities 2 vols (Glasgow: James MacLehose for Glasgow University Press, 1905)
Dictionarie of the French and English Tongues, A (London, 1611)
The Compleat Gamester (London, 1674)
Scarronnides, or, Virgil Travesti (London, 1665)
The works of Mr. Abraham Cowley consisting of those which were formerly printed, and those which he design'd for the press, now published out of the authors original copies (London, 1668)
Poetical Blossoms (London, 1633)
'John Taylor's Pot Poetry', The Seventeenth Century, 20 (2005), 185-203
England on Edge: Crisis and Revolution 1640-1642 (Oxford: Oxford University Press, 14 January 2006)
Travesties and Transgressions in Tudor and Stuart England: Tales of Discord and Dissension (New York: Oxford University Press, 2000)
Agnes Bowker’s Cat: Travesties and Transgressions in Tudor and Stuart England (Oxford: Oxford University Press, 2002)
Nature's Metropolis: Chicago and the Great West (New York: Norton, 1991)
Shakespeare's Words: A Glossary and Language Companion (London: Penguin, 2002)
Occupational Costume in England: from the eleventh century to 1914 (London: Adam & Charles Black, 1967)
Frosts, Freezes and Fairs (London: Frosted Earth, 1996)
'“Heath, Strength and Happiness”: Medical Constructions of Wine and Beer in Early Modern England' in A Pleasing Sinne: Drink and Conviviality in Seventeenth-Century England, ed. by Adam Smyth (Cambridge: D.S. Brewer, 2004), 143-160
'Charles I and Great Yarmouth: AntiPuritanism and Urban Politics', Historical Journal, 0, -1
Charles I: A Political Life (Harlow: Pearson Education, 2005)
'Original Music for Two Caroline plays: Richard Brome's The English Moore; or the Mock-Mariage, and James Shirley's The Gentlemen of Venice', Notes and Queries, 231 (1986), 21-25
La musique de scène de la troupe de Shakespeare: The King’s Men sous le règne de Jacques 1er 2nd edn (Paris: Éditions du Centre National de la Recherche Scientifique, 1971)
'Thomas Heywood’s “The Gentry to the King’s Head” in The Rape of Lucrece and John Wilson’s Setting', Notes and Queries, 8, 384-387
'The Anonymous Masque-like Entertainment in Egerton MS. 1994, and Richard Brome', Comparative Drama , 1 (1967), 277-287